Miles & More
The frequent-flyer and loyalty programme, since 1993; Europe's largest airline loyalty brand.
German flag carrier and Europe's largest airline group, recognized for the Otto Firle crane, the Ulm corporate design system, and a contemporary premium identity.
“Say yes to the world”
The frequent-flyer and loyalty programme, since 1993; Europe's largest airline loyalty brand.
The short-haul subsidiary brand, since 2024; operates feeder and point-to-point flights under the Lufthansa name.
This version of the Lufthansa logo returned to the brand’s classic design, combining a wordmark with the iconic crane symbol inside a circle. The crane, shown in dark blue, represented elegance, lightness, and flight, while the circular frame conveyed balance and completeness. Compared with earlier versions, the lines became thinner and more refined, and the blue tone was darkened. The wordmark was also updated with narrower letterforms, including the removal of the lower serif on the “a.” The typeface was created by Hannes von Döhren, while the logo redesign was led by Ronald Wild.
becomes CEO
In 1963, Lufthansa redesigned its logo by enclosing its iconic bird symbol within a circle. The bird was placed at the center of the emblem, and the lines were made bolder and more prominent. The circular icon appeared to the left of the Lufthansa wordmark, while all elements adopted a deep blue color, creating a cleaner and more unified corporate identity.
The campaign emphasized Lufthansa’s commitment to being “a leader in service.” The slogan “We speak your language everywhere” reassured passengers that they would be well cared for, no matter where they were in the world.
Reflecting the reading habits of the time, lengthy newspaper copy was used to reinforce and explain the service promise expressed in the headline. Alongside striking illustrations, the growing use of photography led to the inclusion of real images of pilots and flight attendants, helping to build trust and strengthen the airline’s image.
The original logo featured a stylized flying bird resembling a stork, crane, or heron, symbolizing the company’s aviation focus. With its long neck, legs, and outstretched wings, the bird conveyed motion, freedom, and an aspiration toward the sky. Beneath the figure appeared the company name in large lettering, while all elements were set within a blue rectangular frame.
At the time, scheduled flights operated by Lufthansa primarily served destinations within Europe. One of the era’s most iconic campaigns, “Fly to the Seaside Resorts” (“Fliegt in die Bäder”), promoted regular flights to spa and beach destinations.
Although the slogan may seem plain by modern standards, it worked effectively alongside hand-drawn beach scenes to inspire dreams of summer vacations. For many people, who rarely traveled at the time, the advertisements evoked the allure of a relaxing holiday on the North Sea or Baltic Sea coasts.