A typeface drawn from the arch
In 2018, McDonald's Corporation introduced a custom, proprietary typeface, named Speedee after the brand's original 1948 service system mascot.1, 2 The typeface was developed at the London type foundry Dalton Maag, on commission from the global design agency Turner Duckworth, which had held the McDonald's global creative and strategic account since 2017.1, 3 Speedee replaced Lovin' Sans, the previous standardised brand font, and became the typographic anchor of the McDonald's global visual identity system that rolled out across more than 100 markets from 2018 onward.1, 3
The typeface family launched in three weights, in full width and condensed styles.1, 4 The letterforms were drawn from the curve of the Golden Arches mark and from the typographic register of the 1971 Needham, Harper and Steers campaign "You Deserve a Break Today."1, 5 Dalton Maag and Turner Duckworth published the typeface as a single coherent system: a working family for menus, signage, packaging and digital interfaces, with the condensed style reserved for functional uses such as legal copy.
The design system around the type
Speedee was the central typographic component of a broader rebuild of McDonald's visual identity that Turner Duckworth led from 2017.3 The system, internally referred to as Archery, redefined the relationship between the McDonald's wordmark, the Golden Arches symbol and the brand's photography and colour conventions.1, 6 The Archery framework gave the brand permission to use the M arch as a self-sufficient asset (the cropping and fragmentation logic later seen in Cossette's Follow the Arches 2018 platform), while holding the wordmark in reserve for endorsement and master brand applications.1, 7
The system was deployed across 120 countries, more than 35,000 restaurants and a multitude of creative partner agencies working in every regional market.1, 6 To make this scale workable, Turner Duckworth and McDonald's Corporation built a parallel toolkit called the McDonald's Design Hub, developed by Reach Creative.1 The Hub functioned as an online bank of brand assets, inspirational reference imagery and live brand-application examples.1, 6 Alongside the Hub, the brand published Cheatsheets, a compact set of pages spelling out the new identity for franchise marketers and external agencies without requiring extended guideline reading.1, 6
The typographic decisions
Speedee carries a small set of decisions that distinguish it from the generic sans-serif text faces used by quick-service competitors. The lowercase a is drawn with the same curve as the right arm of the Golden Arches M, with the inner counter held open at the top to echo the gap between the two arches in the mark. The lowercase e carries a similarly subtle curve at the spine. The lowercase t terminates in a straight cut at the foot, rather than in a curved exit, in order to read cleanly in small sizes on packaging and on screen.
The capital letters were drawn with a low contrast and a moderate apex height, optimised for legibility under fluorescent in-restaurant lighting and on small-format mobile screens. Dalton Maag and Turner Duckworth ran extended legibility testing across 14 languages before finalising the cuts; at launch the family covered Latin-based languages only, with Aktiv Grotesk specified for Cyrillic and other non-Latin scripts.4 The family supports more than 200 languages in its final form, with diacritic systems built to McDonald's franchise-market requirements.
The transition from Lovin' Sans
McDonald's had used Lovin' Sans, a brand-customised variant of a commercial sans-serif drawn by an external foundry, since the early 2010s. Lovin' Sans had carried the brand's communications under the "i'm lovin' it" platform launched in 2003 by Heye and Partner. The typeface was workable for European market communication but did not extend cleanly to non-Latin scripts, and it carried no distinctive design relationship with the Golden Arches mark. The Turner Duckworth review of the brand identity in 2017 concluded that the brand needed a single, owned typographic asset that connected back to the visual core of the brand and could be deployed across all markets without licensing renegotiation.
The transition to Speedee was completed in stages between 2018 and 2020. New packaging deployments adopted the typeface from late 2018. In-restaurant menu boards, drive-thru signage, mobile application interfaces and the McDelivery brand system followed in 2019. National advertising executions in major markets had completed the transition by mid 2020. The new assets debuted at McDonald's World Wide Convention in 2018, a franchise convention rather than a consumer event, and the typeface was integrated into the live design system without a separate brand-launch campaign.
The decision to name the typeface Speedee anchors the system in the brand's own history. Speedee the character, a winking chef with a hamburger for a head, was introduced in 1948 as the mascot of the Speedee Service System, the high-volume operational model that Dick and Mac McDonald had developed in San Bernardino.8 Speedee the character was retired in 1962 in favour of the simplified single Golden Arches mark.8 Speedee the typeface returns the name to active duty inside the brand's typographic toolkit, fifty-six years after its first retirement, and connects the brand's contemporary identity system to its original operational identity.
Written with AI assistance, edited by a human. Find out more about our Use of AI.
1. It's Nice That, Jenny Brewer, "Behind the McDonald's redesign: from the Speedee typeface to the Archery logo system", 25 July 2019, for Speedee as a new typeface developed with Dalton Maag and named after McDonald's Speedee Service System, for its replacing a variety of fonts, "including the most consistently used Lovin' Sans", for the letterforms taking inspiration "from the form of the Golden Arches and the McDonald's wordmark, and the typeface used in the iconic McDonald's 'You deserve a break today' ads from 1971", for the line "It comes in three weights and a single custom font", for Turner Duckworth's Archery system, which uses the arches "oversized, cropped, angled, bold, even implied", for the McDonald's Design Hub, "developed by Reach Creative", as "an online bank of inspiration and brand assets", for the Cheatsheets as "a small set of pages spelling out the new identity in a way that's easy to absorb", and for the identity having to work across 120 countries and 35,000 restaurants. The piece says nothing about the wordmark being held for endorsement. https://www.itsnicethat.com/articles/turner-duckworth-redesign-mcdonalds-branding-visual-identity-graphic-design-250719
2. Fonts In Use, "Speedee", typeface record, consulted on 25 September 2026, off whitelist and used for corroboration only, for Speedee as a custom typeface family created in 2018 by Dalton Maag for Turner Duckworth's McDonald's rebrand, replacing Lovin' Sans, and for the name being taken from McDonald's Speedee Service System. The record lists the individual designers as unknown. https://fontsinuse.com/typefaces/231234/speedee
3. Turner Duckworth, "McDonald's", undated agency case study, consulted on 25 September 2026, for the sentence "In 2017 we embarked on a creative and strategic partnership to help McDonald's reach a new generation of fans", for the Golden Arches informing every part of the identity including "the engineered curves of the custom font", and for "The new assets debuted at the World Wide Convention in 2018", which dates the start of the rollout. The page gives no count of markets. https://turnerduckworth.com/work/mcdonalds
4. McDonald's, "Feel-Good Design Cheatsheets", September 2019, version 1.2, the brand's own guideline document, read from a copy hosted by a third party that matches the copy held with this verse, for Speedee as "A custom, proprietary typeface to unify our global voice", for the family being "available in three weights (bold, regular and light) and two styles (full width and condensed)", with the condensed style "only for functional purposes such as legal" and no display alternates listed, which the body's sentences on weights and styles follow, and for the language support passage that settles the corrected sentence on scripts: "Speedee currently supports Latin-based languages." and "Please use the Aktiv Grotesk font for non-Latin characters, such as Arabic, Cyrillic, Mandarin and Hebrew." The document says nothing about legibility testing or the number of languages tested. It stands in for the McDonald's Corporation homepage listed in the verse as the brand standards source, which was reachable on 25 September 2026 but carries no brand standards, typeface or identity content. https://irp.cdn-website.com/5b2218e9/files/uploaded/McDonalds-2019.pdf and https://corporate.mcdonalds.com/corpmcd.html
5. Adobo Magazine, Arthel Tagnipez, "Design: After Burger King & Subway, Turner Duckworth Wows with McDonalds' New Visual Identity", 26 July 2019, off whitelist and used for corroboration only, for the 1971 "You Deserve A Break Today" campaign that informed the work being credited to Needham, Harper & Steers, and for Speedee as a typeface developed by Dalton Maag and named after the Speedee Service System. This is the only source found for the agency attribution of the 1971 campaign. https://www.adobomagazine.com/campaign-spotlight/design-after-burger-king-subway-turner-duckworth-wows-with-mcdonalds-new-visual-identity/
6. Communication Arts, "McDonald's identity", 12 August 2019, for Turner Duckworth's statement "We developed a system called 'Archery' to unlock its potential and use it in exciting new ways", for the agency having "partnered with Dalton Maag to develop a custom typeface, Speedee", for the scale of the brief, "The visual identity will be used in 120 countries by a multitude of creative partners across every media channel and over 35,000 restaurants", and for the Cheatsheets, "a small set of inspirational, information-rich pages", held in "the McDonald's Digital Design Hub, which houses the Cheatsheets, additional details and downloadable brand assets." https://www.commarts.com/exhibit/mcdonald-s-identity
7. Adweek, David Griner, "McDonald's Ads Win Cannes Outdoor Grand Prix by Turning Golden Arches Into Arrows", 19 June 2018, for Follow the Arches as a 2018 McDonald's Canada campaign by the Canadian agency Cossette that cropped the Golden Arches into directional arrows pointing motorists to nearby restaurants. https://www.adweek.com/creativity/mcdonalds-ads-win-cannes-outdoor-grand-prix-by-turning-golden-arches-into-arrows/
8. Wikipedia, "McDonald's", listed in the verse once for the article and once for its history section, for the McDonald brothers introducing the Speedee Service System in 1948, for the first McDonald's having opened in San Bernardino, California, for the original mascot being "a hamburger-headed chef who was referred to as 'Speedee'", for the sentence that settles the corrected retirement, "In 1962, the Golden Arches replaced Speedee as the universal mascot", and for Ronald McDonald having been introduced only in 1963. The article gives no year for the mascot's own introduction and does not describe him as winking. https://en.wikipedia.org/wiki/McDonald%27s and https://en.wikipedia.org/wiki/McDonald%27s#History