From Niche Product to Cultural Challenger
Before its transformation, Oatly had operated as a relatively unknown Swedish oat drink company targeting a small niche audience, primarily people with lactose intolerance.1, 2 Its branding followed industry conventions and failed to stand out on shelves.2, 3
This changed fundamentally after new leadership repositioned the company.2 Instead of competing within the existing plant-based category, Oatly redefined itself as a challenger to the entire dairy industry, expanding its audience from necessity-driven consumers to a broader, lifestyle-oriented market.1
A Complete Break From Industry Conventions
The rebrand did not evolve the existing identity but replaced it entirely.2 Oatly deliberately rejected standard design codes used in both dairy and plant-based categories, which typically relied on neutral colors, clean layouts, and product-focused imagery.
Instead, the company introduced a disruptive visual system built on bold typography, asymmetrical layouts, and unconventional color use.4 The packaging appeared raw, handmade, and intentionally imperfect, creating a strong contrast to competitors.3, 4
This approach ensured that Oatly products stood out immediately in retail environments, turning shelf presence into a primary competitive advantage.
Packaging as the Primary Media Channel
A defining element of the rebrand was the decision to treat packaging not as a container, but as the brand’s main communication platform. With limited advertising budgets, Oatly used every surface of the carton to deliver messaging, storytelling, and personality.2, 3, 5
The packs featured conversational, provocative copy such as “Wow, no cow” and “It’s like milk, but made for humans,” replacing traditional product descriptions with opinionated statements.1, 3
This strategy effectively turned each product into an advertisement, allowing the brand to communicate directly with consumers at the point of purchase.
A Distinctive Brand Voice
Alongside visual changes, Oatly developed a unique tone of voice that was informal, self-aware, and often humorous. The brand spoke directly to consumers in a conversational style, breaking with the polished and corporate language typical of the category.3
Every panel of the packaging became part of this narrative, encouraging consumers to read, engage, and interact with the product before even trying it.4
This voice extended beyond packaging into all communications, creating a consistent and recognizable identity across markets.
Purpose-Driven Positioning
The rebrand also introduced a broader mission. Oatly positioned itself not just as a beverage company, but as part of a movement toward a more plant-based society.2
This purpose connected health, environmental concerns, and cultural trends, allowing the brand to engage in larger societal conversations rather than focusing solely on product benefits.2
Industry Impact and Market Transformation
The rebrand had measurable commercial and cultural impact. Demand increased dramatically, and the brand expanded from niche distribution into global markets, including mainstream retail and coffee chains.1, 3, 6
More importantly, Oatly reshaped the competitive landscape. Its approach forced other plant-based brands and even traditional dairy alternatives to rethink their packaging, messaging, and positioning.
The company demonstrated that branding alone, without changing the core product, could redefine an entire category.
Redefining What a Brand Can Be
Overall, Oatly’s rebrand represented a full transformation rather than a visual update. It aligned product, communication, design, and purpose into a single, coherent system.
By turning packaging into media, adopting a distinctive voice, and positioning itself as a cultural challenger, Oatly moved from obscurity to global relevance and established a new model for how brands could compete through identity rather than scale.
Written with AI assistance, edited by a human. Find out more about our Use of AI.
1. Lund University, The Alumni Network Blog, Bodil Malmström, "How one scientist's drink came to be on the lips of many", 5 December 2022, off whitelist and used for corroboration only, for Oatly's roots in Lund University research that found many people to be lactose intolerant, for the new chief executive Toni Petersson turning the company into a lifestyle brand around 2012, for "Wow, no cow" as one of the slogans that followed, and for the growth that took the company to a turnover of 6 billion Swedish kronor in 2021. https://alumni.blogg.lu.se/how-one-scientists-drink-came-to-be-on-the-lips-of-many
2. Eat Big Fish, interview with John Schoolcraft, "Oatly: 'Being a Challenger is having a mindset of trying to change something'", undated page, off whitelist and used for corroboration only, for the early product made for people who were allergic to dairy or had personal reasons not to drink it, brand recognition below 5 percent and a brand "indistinguishable from anything else on the shelves", for the board hiring Toni Petersson as chief executive and Schoolcraft's role as Chief Creative Officer from 2012, for the old packaging being thrown out completely, for the pack as owned media and "our main media" in the absence of US or UK sized advertising budgets, and for the ambition of "contributing to a plant based society" that links personal health with lower emissions and land use for the planet. https://www.eatbigfish.com/thinking/oatly
3. Fortune, Laura Entis, "How to Create a Great Brand for Your Small Business", 16 April 2018, off whitelist and used for corroboration only, for Schoolcraft's verdict that the old packaging "looked like everything else", for the deliberately unvarnished design meant not to look like a corporate logo or brand, for the package used as "the main medium" for want of a large budget, for the carton line "IT'S LIKE MILK BUT MADE FOR HUMANS", for copy that is "opinionated, political, and casual" in contrast to polished corporate speak, and for sales that rose rapidly in Europe ahead of the full entry into the United States in early 2017. https://fortune.com/2018/04/16/how-to-create-a-great-brand-for-your-small-business/
4. Fonts In Use, Stephen Coles, entry "Oatly packaging" (dated 2015 onwards on the page), 28 December 2020, off whitelist and used for corroboration only, for the casual, deliberately unpolished look built on custom lettering, the custom headline typefaces John Rounded and Toni Grotesk and the distressed typewriter face FF Magda, for Schoolcraft's remark that the team "just made these packages ourselves in the basement", and for the carton laid out as advertising space that draws shoppers who turn the pack to read its side into the brand story. https://fontsinuse.com/uses/37736/oatly-packaging-2015
5. The Dieline, Ivan Navarro, "Oatly", 24 September 2014, for a packaging system built on a limited budget to work partly as advertising space, calling out the brand's attributes and benefits on pack (developed, the article says, by Forsman & Bodenfors); the rest of the article sits behind a subscription wall. https://thedieline.com/blog/2014/9/23/oatly
6. Wikipedia, "Oatly", read 8 October 2026, for the products' availability in 60,000 retail stores and 32,200 coffee shops worldwide as of 31 December 2020, including thousands of Starbucks locations in the United States. https://en.wikipedia.org/wiki/Oatly